Quire Cleveland makes life more harmonious by introducing audiences to choral music not heard in the modern era — including modern premieres of works newly discovered or reconstructed — breathing life into the music of our shared heritage. Through the human voice, Quire provides a vital connection to distant lands and ages past, revealing the timeless universality of this art. Under the artistic direction of Ross W. Duffin, Quire performs 9 centuries of a cappella repertoire.
Mike Telin, ClevelandClassical.com — Dec 15, 2009
In less then two years, Quire Cleveland has received accolades from all of the local classical music press for being an ensemble that posses “exceptional purity of pitch” (The Cleveland Plain Dealer) “Equally at home in the late Classical Style [as with a cappella music from the Renaissance]” (ClevelandClassical.com) as well as for producing “joyful sounds” (Cool Cleveland). In addition to presenting solo performances, Quire Cleveland has also served as the chorus for CityMusic Cleveland. Adding to the list of accomplishments, the ensemble has received praise for presenting creative and well-researched programs that are attractive to all audiences.
For their first holiday concert presentation, Quire Cleveland has assembled an intriguing and charming variety of holiday carols titled “Carols for Quire from the Old and New Worlds.” Upon receiving an advance copy of the program notes, it was easy to tell that this is not a program merely consisting of one carol from every part of the globe, but rather a program that demonstrates the interesting journeys around the globe that many of the carols have taken. Read more (1) »
William Fazekas, ClevelandClassical.com — May 11, 2009
Several weeks a year, for the past five years, Clevelanders have been given wonderful treats — fine concerts of orchestral music performed free of charge and brought to venues in their own neighborhoods. Oh, and with “Clevelanders”, it seems we can include our neighbors in Lorain and Lake counties, as well as urban and suburban Cuyahoga. I’m speaking, of course, about CityMusic Cleveland, which celebrated its five year run of free neighborhood concerts this week with a program it called Heaven & Earth, including Mozart’s 'Jupiter' Symphony (No. 41 in C, K.551), and Schubert’s Mass No. 2 in G. As always, the program was repeated at half a dozen venues in the course of the week; this reviewer caught the performance Saturday evening at the Shrine Church of St. Stanislaus in Cleveland’s Slavic Village neighborhood. Read more »
7 centuries in 29 seconds — May 10, 2009
All Things Considered, the daily afternoon news program on National Public Radio, has a well-known musical theme; when played after the news, it’s called a “trixie:” ((ATC has an interesting history of their theme here))[audio:http://www.quirecleveland.org/wp-content/uploads/2009/05/atc-original.mp3|titles=ATC theme, jazz band]
Staff at ATC recently invited Quire Cleveland’s president, Ross Duffin, to compose some trixies in an early-music style. ((Duffin’s musical parody, “Come All Ye Baseball Fans” — written to the tune of “Come ye Sons of Art” by Henry Purcell — was featured on ATC during the Cleveland Indians’ pennant-winning season of 1995.)) Duffin composed six of them, ranging in style from 13th-century organum to Carl Orff’s well-known 1936 composition “Carmina Burana.” And he recruited the members of Quire Cleveland, as well as faculty of Case Western Reserve University’s Early Music Program, to record them. Here’s what he came up with. Read more (2) »
Donald Rosenberg, Cleveland Plain Dealer — May 7, 2009
CityMusic Cleveland is an essential part of the region’s musical fabric. Just ask Mozart and Schubert.
The Viennese masters have the pleasure of spending nearly an hour with the chamber orchestra on the program music director James Gaffigan is leading this week to end the ensemble’s fifth season. As short as the concert may be, it’s full of transporting and towering achievement. […]
The score’s choral duties were entrusted to the inspired voices of Quire Cleveland, the new professional ensemble that focuses mainly on Medieval and Renaissance repertoire. On this occasion, it was delightful to hear director Peter Bennett and his choristers also bring exceptional purity of pitch and crisp enunciation to the Classical needs of Schubert’s youthful lines. Read more »