Quire Cleveland makes life more harmonious by introducing audiences to music not heard in the modern era — including modern premieres of works newly discovered or reconstructed — breathing life into the music of our shared heritage. Quire provides a vital connection to distant lands and ages past, through the human voice, revealing the timelessness universality of this art. Under the artistic direction of Ross W. Duffin, Quire performs 9 centuries of a cappella repertoire.
Feb 27 - Feb 28, 2015
Quire Cleveland and esteemed guest conductor David Fallis present a special concert featuring the beautiful, evocative verses of the Bible’s Song of Songs. You’ll hear music by such masters as John Dunstable, Giovanni da Palestrina, Tomás Luis de Victoria, Heinrich Schütz, Edward Bairstow, and Healey Willan. Read more (2) »
Preview: Quire Cleveland to explore the Song of Songs in two concerts with guest conductor David Fallis
Daniel Hathaway, ClevelandClassical.com — Feb 24, 2015
“Rise up, my love, my fair one, my dove, and come away. For, lo, the winter is past, the rain is over and gone; The flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land; The fig tree putteth forth her green figs, and the vines with the tender grape give a good smell.”
Those are welcome sentiments as we Northeast Ohioans continue to slide across the ice, slog through the drifts and wade through muddy puddles, but where do they come from? Read more »
Philip Greenfield, American Record Guide — Jan 1, 2015
In many “music in history” recordings, the history rides in the front seat with the music relegated to the back. That doesn’t happen here, thanks to some snappy repertoire, a skillful and enthusiastic choir, and a conductor-arranger-historian who really knows what he’s doing. Read more »
Dec 19 - 21, 2014
The favorite holiday tradition continues — for the sixth year — with the splendid Messe de Minuit pour Noël by French baroque composer Marc-Antoine Charpentier, illuminated with the popular carols on which it is based.
Composed in the 1690s, its melodies are beloved French carols, which Charpentier weaves throughout the different movements. The result is a joyful, tuneful celebration!